A Love Letter to Oneself
Last year witnessed a huge success of a Taiwanese movie, You Are the Apple of My Eye,
at the box office. If you feel like a Korean female version, don't miss Sunny, a hilarious,
but sometimes poignant coming-of-age story about middle age crisis and the ups and downs experienced
during adolescence, for example, puppy love, friendship, family, bullying, dreams, etc.
Sunny is a love letter to oneself which reminds me of Rene Liu' song "For myself at 15". There are
at least two scenes which play upon the audience's heartstrings. First, the teenage girls talk to
their future selves about their dreams in front of a video camera, which cruelly reminds Na-Mi in
the present of the wreckage of their dreams destroyed by reality. Second, Na-Mi puts a consoling
arm around her teenage self around her shoulders, which symbolically implies her letting go. Thanks
to the right pacing and skillful editing interweaving the present with the past, they are definitely
two of the most touching scenes of the year. After watching the movie, you won't help asking yourself
if you have forgotten about your dreams.
The songs used add a sense of nostalgia to the movie. The most powerful one is Reality by Richard
Sanderson. Please note the slightly different uses of the song in several scenes throughout the movie.
Thanks to this romantic song, the scenes echo with one another, highlighting the protagonist's unrequited
love for the boy, her piercing sadness when she sees the boy using the same strategy to impress her
female friend, as well as her regret about not having given him the portrait and told him how she feels.
For your information, the scenes in which the boy stealthily helps the girls wear his headphones playing
Reality are indeed a tribute to Claude Pinoteau's La boum, a movie released in 1980 about the first love
experiences of a teenage girl.
The movie, which runs two hours plus, is slightly too long, despite the director's understandable attempt
to develop a large number of characters. As for the dancing scene at the end of the movie, albeit slightly
overlong, it is necessary as it shows their genuine bond of friendship after 25 years since graduation.
Also, the ending seems contrived and sugary, whereas the minor flaws previously mentioned can be offset
by its charismatic cast, well developed characters and the nostalgic setting.
There is a trace of irony when the protagonist's mother grumbles about the cliched Korean soap operas twice.
Nevertheless, the director also reminds us that life is like a film and it is not uncommon that people
around us can be struck down by cancer anytime. Being strongly reminiscent of our bitter-sweet and silly
memories during adolescence, Sunny successfully reminds us to live life to the full so as not to
have regrets.
Reviewed by: Kenji Chan